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 “Since the 1970s, Robert Cahen’s research is haunted by the notion of  passing: passing from fix imaged to moving image, passing from a place –  and a time-to another, transformation offilmed reality and eye,  exploration of sound related to the image. His approach is part of an  always renewed dialogue between visible and invisible, narration and  poetry, confronting anotherworld, a world made different—beautiful,  disturbing-by metamorphoses of time and space.” 

(Sandra Lischi) 

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