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At the meeting point between dance, theater, performance and video, the Jérémy Tran company strives to tell what is not said, and reveal what is not seen. It goes in search of forgotten memories, erased words, to make them visible and embody them; it gives voice to faces and bodies that are too often absent, making them almost palpable. It never stops capturing the energy and presence of bodies, whose essence she hopes to reveal – their history and their instincts. Thus, its choreographies, productions, dance videos, photographs, exhibitions and even performative installations are intended to be inclusive and representative of minorities.

Its choreographic and cinematographic research allows for sensitive and political writing. It designs its productions as a breath that brings together, questions, moves and leaves us thinking; like so many journeys blurring the lines between reality and fiction. It draws its inspiration from the mix of cultures, from their joys, their secrets and the exiles that accompany them. It revisits heritage to question the present, tirelessly studying the filiations, the unsaid and the traces that we transmit from flesh to flesh.

Through participatory productions, where professionals, amateurs and citizens collaborate, or through partnerships with Numeridanse and the Micro-Folie digital museum, the company works to make culture accessible. It takes part in awareness-raising, transmission and pedagogical actions, and develops projects relating to training, research and mediation: workshops, master classes, internships, courses, conferences and residencies.

Much attention is also paid to improving working conditions in the live performance sector. The company has notably adopted a charter of professional conduct and ethics which it helped to draft. The rules of this charter govern the conduct of all members of the company, as well as that of its collaborators.

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