CLASSIQUE - Variation n°2 - Épreuves de danse 2025

I stumbled across Marionnettes op 1, created in 1897. The atmosphere of this work by Ekki Melartin literally charmed me. I knew I was going to use it one day… 

I asked pianist Sandrine Rossignol to make a reduction for solo piano based on the versions for orchestra and piano four hands.

This is an invitation to enter the world of this strange, melodious music.

From the very first notes, the regularity of the pulse suggests calm, elegance and a touch of nobility. 

I suggest counting in 6 beats to keep the phrasing flowing.

The relationship with space is fundamental, the body’s involvement in the directions is important, and the lines must be complete. There is real work for the upper body and the eyes are in the right place. You need to pay attention to the fluidity of the arms and the cleanliness of execution.

When the music fleshes out, it suggests an amplified quality of movement. 

The dancer really needs to listen, because against a regular melodic backdrop, a small step can be grafted on to energise the whole and add a touch of character.

Enjoy immersing yourself in the music!

Mireille BOURGEOIS-DELCEY