Opus 05 sur Mvett Camerounais revisité

Sixth shutter of a Decalogue started and built in 2000 around the set of themes of the rupture, Opus 05 is a made up solo for itself by the choreographer James Carlès. It explores there the bases of its own commitment in the dance.

Sixth shutter of a Decalogue started and built in 2000 around the set of themes of the rupture, Opus 05 is a made up solo for itself by the choreographer James Carlès. It explores there the bases of its own commitment in the dance.Opus 05 was created in Toulouse with the Theatre of Mazades in January 2005 within the framework of the international festival of the Choreographic Development centre – It is Contemporary dance.Opus 05 opens by some movements at the border of the immobility, some gestures right to place itself where it is necessary and as it is necessary. Some gestures to be able to begin this place exactly. Opus 05 deploys then a writing carried out by time, time of the body in long lives or abrupt accelerations, time of the music in its re-sifted rhythms, stretched time, contracted, until being able moreover it, exhaustion, then the appeasing, finally.The dancer makes a long journey.Interior travel of any man who seeks himself. Who must choose. Only. In spite of the obstacles, the traps of the pretences, the weight of the origins.To choose for itself and by itself with the risk to leave what it always was. To dare the rupture.On several occasions it looks with far, hesitates, springs then retrogresses, must advance costs which costs, tramples, loses itself for better being. Fall for being better raised.“To be” simply.

CREDITS

Duration: 30 minutesChoreography and interpretation: James Carlès NganouArtistic plate: 1 dancer and 2 managersMusic and sound creation:  Charles Rostan/James Carlès on a topic of music “Mvet” of the Baka Pygmies of Cameroon.Light creation:  Boris Molinié