Odile Duboc, une conversation chorégraphique (with french subtitles)

This “conversation” is focused on the 2003’s cover version of “Projet de la matière”, created in 1993. This film allows us to understand this piece’s singularity in Duboc’s corpus.

This “conversation” in which several dancers as well as the lighting designer Françoise Michel also participate, is focused on the revival in 2003 of Projet de la matière (1993).

Through to-and-fro movements between sequences of the piece, rehearsal times or work in workshops, the film apprehends the uniqueness of this production in Odile Duboc’s career, while offering an immersion into her universe. Projet de la matière was “an opportunity to give body to intuitions that I had had for a long time”, revealed the choreographer.

The creation of this “work of states” was preceded by a long period of experimentation, with no other direction than the desire to bring out the “liquidity” of the body, its organicity and its materiality. Odile Duboc first made the dancers work with “tactile objects”, designed by the visual artist Marie-José Pillet – an air cushion, a water mattress, metal slabs. She then asked them to remember the sensations they felt, but while playing with gravity, independently from the objects first used. In other words, based on masses and volumes, effects of contact, resistance, friction or even imaginary impulsions. There was such richness in the movements and “body poses” revealed by this process that they became the exclusive material of this Projet (Project) that Duboc views as “my dance written by the dancers”.