Numeridanse est disponible en français.
Souhaitez-vous changer de langue ?
Warning, sensitive content.
This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?

Catherine Diverrès - Centre chorégraphique national de Rennes et de Bretagne

Choreography
Year of production
1996

Catherine Diverrès works on extremes and contradictions. Seriousness and tension make her work strong and troubling, combining abstraction and theatricality.

Dancer of the ineffable and choreographer of intranquillity, Catherine Diverrès works on extremes and contradictions. For her, the quality of dance hinges on a rare awareness of time. Gravity and tension make her pieces powerful and disturbing works that combine abstraction and theatricality. 

Since she started out with Bernardo Montet, this former director of the Centre Chorégraphique de Rennes (in 2008 she founded her own company) has created her “land”: an incisive writing made of surges, desires and abandons, a conception of nothingness that gives her dance an earthy dimension. Her works, often inspired by philosophical, literary and poetic texts, are imbued with a tragic perception of existence. Fruits is a continuation of this. A work on war, it takes place on a carbonised land, where a huge gate blocks off the stage. In this deserted space, as though marked by traces of bombing, the choreographer questions the notion of territory. She exposes dance to the cruelty of the world, a mirror on which the interpreters’ bodies collide during choreographic sequences uplifted by a lyrical spirit.

Source : Irène Filiberti

Choreography
Year of production
1996
Art direction / Design
Jean-Michel Plouchard
Duration
26′
Production of video work
Injam production, Paris première / Participation : CNC, ministère de la Culture (DMD), ministère des Affaires étrangères
Add to the playlist